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Classical concerts featuring
Hansjörg Albrecht

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Concerts featuring Hansjörg Albrecht in season 2024/25 or later

February 8, 2025
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Carl-Philipp-Emanuel-Bach-Chor Hamburg / NDR Barock / Hansjörg Albrecht

Sat, Feb 8, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Carl-Philipp-Emanuel-Bach-Chor Hamburg, CPEB Young Artists (Choir ensemble), NDR Barock, Hansjörg Albrecht (Director), Hansjörg Albrecht (Cembalo)
Born the son of a violonist, Antonio Vivaldi received violin lessons at an early age. In 1703, at the age of 25, he became a music teacher at the »Ospedale della Pietà«, an orphanage for young girls. There he gave his pupils music lessons every day from an early age. As a result, most of the girls were able to play two or three instruments and were also familiar with solo singing. Vivaldi remained at the school until 1716, where he not only taught, but also composed concertos and oratorios for the weekly performances. The orchestra of the Ospedale soon gained a legendary reputation that extended beyond the country’s borders and attracted numerous travellers to Italy. »The most remarkable music here in Venice is that of the hospitals,« reported the French scholar Charles de Brosses in a letter dated August 1739. »There are four of them, all inhabited by illegitimate daughters or orphan girls, or those whom their parents are unable to bring up. They are brought up at the expense of the state, and are trained to excel in music. They sing like angels and play the violin, flute, organ, oboe, violoncello, in short, no instrument is so big that it would frighten them. They live in seclusion like nuns. About 40 of them take part in every concert. I assure you, there is nothing more attractive than the sight of a pretty young nun, in a white habit and with a bunch of pomegranates behind her ear, conducting an orchestra and beating time with the greatest grace and precision.« The eroticising effect of such women’s concerts can also be seen in the fact that a not inconsiderable number of male concertgoers use these events to look for a bride...
March 8, 2025
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Festkonzert zum internationalen Weltfrauentag

Sat, Mar 8, 2025, 19:30
Hansjörg Albrecht, Carl-Philipp-Emanuel-Bach-Chor Hamburg
Must we even talk about it? About the role of women in society, at work, and in music? Absolutely! The equality of men and women, while law, is not yet reality everywhere. There's hardly a better opportunity to discuss it than International Women's Day, celebrated since 1911 and officially recognized by the UN for 50 years. Reason enough for the Bremen Philharmonic to dedicate themselves to the topic.
March 9, 2025
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50 Jahre Weltfrauentag

Sun, Mar 9, 2025, 17:00
Konstantia Gourzi, Hansjörg Albrecht, Carl-Philipp-Emanuel-Bach-Chor Hamburg
Must we still talk about it? About the role of women in society, at work and in music? Absolutely! Equality between men and women may be the law, but not yet the reality everywhere. There is hardly a better opportunity to talk about it than on International Women's Day. The Bremen Philharmonic dedicates itself to the topic with Konstantia Gourzi, one of today's most distinguished conductors and composers, who will discuss the self-image, importance, and visibility of women in music with director Guido Gärtner and conductor Hansjörg Albrecht.
April 11, 2025
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Carl-Philipp-Emanuel-Bach-Chor Hamburg / Concerto Köln / Hansjörg Albrecht

Fri, Apr 11, 2025, 19:30
Laeiszhalle, Großer Saal (Hamburg)
Carl-Philipp-Emanuel-Bach-Chor Hamburg, Concerto Köln, Hansjörg Albrecht (Director)
The opening concert of this year’s International Bach Festival Hamburg will feature Carl Philipp Emanuel Bach’s Passion cantata »Die letzten Leiden des Erlösers«, written for Hamburg, performed in the Laeiszhalle by the ensemble Concerto Köln, which specialises in historical performance practice, and the Carl-Philipp-Emanuel-Bach-Choir. Together with the final concert on Easter Sunday, it forms the thematic arc of this Bach festival centred on the Passion and Resurrection.
April 17, 2025
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NDR Barock / Dorothee Oberlinger / Hansjörg Albrecht

Thu, Apr 17, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
NDR Barock, Dorothee Oberlinger (Recorders), Hansjörg Albrecht (Harpsichord)
With Dorothee Oberlinger, the International Bach Festival Hamburg has invited a real shooting star for early music. The recorder player and conductor is one of today’s leading international figures in the field of early music and has been honoured with numerous national and international music awards. She is coming to the International Bachfest Hamburg 2025 with very different works in her luggage.
April 20, 2025
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Carl-Philipp-Emanuel-Bach-Chor Hamburg / Akademie für Alte Musik Berlin / Hansjörg Albrecht

Sun, Apr 20, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Carl-Philipp-Emanuel-Bach-Chor Hamburg, Akademie für Alte Musik Berlin, Hansjörg Albrecht (Director)
The Magnificat by Carl Philipp Emanuel Bach, in which Mary expresses her love for God, but in which Mary is also celebrated as the epitome of love among mankind, forms the jubilant prelude to the final concert of this year’s International Bach Festival Hamburg with its youthful fire. In this concert, father and son face each other. Can the younger one stand up to the comparison with the older one? Can the son emancipate himself from the father with whom he was trained and learnt? The performers for this musical comparison are the Carl-Philipp-Emanuel-Bach-Choir Hamburg, the Akademie für Alte Musik Berlin and Hansjörg Albrecht.